Mark Cuban published a truly fascinating third-party analysis of the inner workings of the YouTube/Google deal and how it was structured to address copyright infringement issues. Whether true or not — Mark includes a dislaimer of his own — it has the twists and turns of a political thriller.
- Nearly 500 million of the 1.65 billion purchase price is not being disbursed to shareholders but instead being held in escrow.
- YouTube approached the media companies, who smelled a transaction when YouTube radically changed their initial revenue-sharing offer to one laden with cash. The media companies, thinking short-term and not guessing how big this deal would be, went for about 50 million each to be paid from the Google buyout monies.
- To avoid paying artist’s royalties, the media companies structured this as an equity transaction.
- YouTube negotiated a six-month moratorium on infringement litigation during which time its competitors will continue to be sued, giving Google a huge window for further growth and dominance.
- This, in turn, chokes off venture-capital funding of YouTubes competitors.
The details, speculative or otherwise, are well worth the read. Thanks, Jake Shapiro.
No, not Paul McCartney. It’s Paul Figgiani, our senior audio engineer, whom Scott Bourne correctly highlights as the #1 unsung hero of podcasting. Go Paul!
Did I ever mention that I’m one of Ze Frank’s 30,000 greatest fans?
There’s a great new “netcast” by IT Conversations’ host Denise Howell, called This Week in Law (TWiL), over on Leo Laporte’s TWiT network. The first episode had some fairly severe audio problems, however, and a few “misinformed” individuals are blaming The Levelator. From a comment I just posted on the TWiL site:
Re comments by ‘Nation‘: The issue is that they ran the audio through “The Levelator™” (see: http://www.gigavox.com/levelator ).
Just stop and think for a moment. You all know that Leo is a pro and committed to great audio and content. Do you *really* think that if The Levelator made the audio worse that he would use it? And how can you judge the output without comparing it to the original?
Yes, The Levelator was successfully used for TWiL 1, and the output was superior to the input.
Many of us with OS X and Blackberry 8700s wanted a way to combine them for web and email access. No such application existed, so Alex King organized a bounty fund. I and others contributed, and the fund eventually reached US$675. Now Daniel Pasco has stepped up to write that application and claim the bounty. We contributors are looking forward to a test release in the next few days.
This is a tangible manifestation of what Doc Searls has described as the demand side taking control, and I think it bodes well for the further formalization of a demand-driven economy of software products.
I was interviewed by Brad Gibson for his podcast. Brad also posted a comparison of a segment processed by The Levelator and his manual techniques.
Glowing reviews for The Levelator are coming in from all over, but perhaps none is as entertaining as this one in German, as translated by Google:
Abbott Levelator – the Tool for Podcasts et al.
In the current expenditure of TWiT Doug Kaye, inventors of ITConversations and founders of Gigavox, a Softwaretool places forwards named Levelator. The thing makes exactly that, according to which it means: It pegelt unbalanced audio photographs out. Ex post office. Speak: You take up your thing only and leave then the file by the Levelator. The result is really amazingly well, hab’s tried out. Who perfect always times again with less than clay/tone photographs to do has (parts too loud, parts too quietly and both itself alternating in arbitrary consequence…), which/that can facilitate the life for Levelator much. Matter of expense: $ 0. – Hot Go GET it, while it’s! Levelator is written in Java, what has the advantage that the program is platform independent. On my Mac hat’s perfectly functions!
I love “ex post office.”
Here’s the original: http://infam.antville.org/stories/1487538/