Not the normal film-festival fare, Pierrot Le Fou is a Jean-Luc Godard film from 1965. It was at this year’s Mill Valley Film Festival because the lead actress (the terrific and stunning Anna Karina) was supposed to be here. Unfortunately, she recently broke her foot so the best she could do was phone in her greetings from Paris. Luckily, we knew that in advance.
Wikipedia says this is a great example of postmodern film, which translates into a movie that is (a) often surrealistically confusing, and (b) highly inventive and entertaining so long as you just go with it. I quickly gave up trying to comprehend the big picture and just sat back and enjoyed the filmmaking. My wife, on the other hand, insisted on understanding as much as possible with the result that she didn’t enjoy it as much as I did.
Some of the metaphors are awkward, but it’s a 44-year old film, after all. It’s also Jean-Paul Belmondo at his best. For 110 minutes of fun and ’60s Godard nostalgia, rent Pierrot Le Fou.