My next photography workshops in Cuba (legal from the U.S.) are November 5-14, 2015 and January 7-16, 2016. The cost is $4,495 per person, double occupancy (plus $350 for singles) and includes nearly everything except your costs to/from/in Miami. There are still open slots for the November 2015 workshop. The January 2016 workshop is currently sold out, but we’re accepting people to the waiting list.
At 12:05am on January 16, sixteen photographers and their partners were the very first Americans to land in Havana under the new rules announced in December by President Obama. There was no fanfare, just the usual midnight airport skeleton crew that took two hours to x-ray our bags. One of us did get “special treatment” for arriving with enough gear for a feature-film crew and what could have been mistaken for a suicide vest. For most of the group, it was everyone’s first visit to Cuba.
Sony updates its very popular RX100 MKII with a new third version. The camera is already being heralded as the best-ever compact or point-and-shoot. But at $800, it’s also the most expensive. The new model touts a cool pop-up electronic viewfinder (EVF) in lieu of a hot shoe, and an excellent new lens that mimics a fast (f/1.8-2.8) mid-rage 24-70mm (full-frame equivalent) zoom. The image quality is great, but at that price, Frederick Van Johnson and I ask, “Who’s this for?”
The Sony A7s is being heralded as “Camera of the Year” by some reviewers, Frederick and I take a look at the third camera in Sony’s a7 series. While offering a sensor with only 12MP, the a7s is getting a lot of attention for a sensor that can shoot up to ISO 409,600 as well as being one of the first still-image camera that also produces 4K video.
Does it live up to all the buzz? And who really needs a camera that can shoot in the dark? And what about that 12MP sensor? Isn’t that really heading in the wrong direction? I explains why 12MP may be enough for you and why a high-ISO sensor may be important to everyday photography.
The long-awaited latest Lumix “G” flagship camera breaks new ground: It can shoot 4K video and save it directly to an SD card. So this week we invited video guru Dave Dugdale to join Frederick and me to give us his two cents.
Dave and I put the GH4 through some very different paces. I wanted to see what would happen if he shot 4K video specifically with the goal of extracting still images. Check out how well the GH4 did in both our tests.
Based on previously using the X-E1 and X-E2, I started this review with quite high expectations. And while the X-T1 is certainly one of Fujifilm’s greatest cameras to date, he didn’t find that it comes up #1 by every criterion. Controls? Autofocus? Bracketing? No touch LCD? (What’s up with that?) Hear what Frederick and I have to say about it.
Fujifilm cameras produce excellent quality images and Fuji has many fans, including me. To their great in-camera emulations of classic film stocks, Fujifilm has added the claim that their flagship X-T1 is the fastest autofocusing camera on the market. But does the X-T1 live up to the hype?
The OM-D E-M10 is Olympus’ smallest and least-expensive micro four-thirds camera to date. Is it an entry-level MFT body? A good second camera? And how does it stack up to the venerable E-M5? Check out the latest episode of All About the Gear.
I put the new puppy up against it’s larger, older brother (E-M5) and the Panasonic Lumix GM1. Along they way I take a deep dive into the issue of diffraction and why MFT cameras seem to have plateaued at 16 megapixels. It’s a discussion that every photographer will want to hear, regardless of the size of your sensor.
The latest episode of All About the Gear covers the D4s, Nikon’s latest flagship camera that can shoot at an amazing ISO 409,6000. As Frederick says, “It’s so sensitive, it can see the future.” But is that claim hype or reality? And who should spend $6,500 for this camera?
I spent three weeks shooting with this beast and have been wearing a wrist brace as a souvenir. The AAtG team takes a break from the small-camera mirrorless world to see what’s new in the old world of DSLRs.
The Lytro is the first commercially available light-field camera. There’s been a lot of buzz (and even controversy) surrounding this revolutionary focus-later device, but it’s not clear whether this is an important development or just a gimmick. Frederick interviewed the folks at Lytro before the camera was released, and now I’ve spent two weeks putting it through its paces, learning about the science and technology of light-field photography, and figuring out whether you might want to own one. Watch the review on All About the Gear.
The Nikon DF (for “Digital fusion”) is at first glance the technology of a Nikon D4 sensor (at half the price of a D4) in a D600-class body that touts compatibility with classic Nikkor lenses. But that’s just the full half of the glass.
I spent three weeks with this strange beast and while I love the image quality and compatibility with old lenses, it’s an ergonomic disaster. Frederick probes deeper to discover both the half-full and half-empty attributes of Nikon’s play in the retro-camera world.